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EXECUTION ORDER
Halls Of Horror

Self-released (2024)
Rating: 6/10

Philadelphia, Pennsylvania-based thrashers Execution Order has existed for three years, but this debut full-length is the only sign of activity. Halls Of Horror is 41 minutes of standard yet sniping thrash given an extra scathing layer by the snappy vocalisations which could be considered an acquired taste. Nine tracks are spat out in rather unremarkable fashion as the clan provides relatively contemporary metal that’s somewhat bereft of character.

From opening song ‘Cast Out’ there is a sneering edge and streaks of Teutonic fury, but throughout the record the sound seems strained, almost as if the instruments were recorded on a tight leash. While each song is delivered in exceptionally tight fashion, there’s no real colour, just a grey steely and snappy coating led by a vocal yap from Chris Natalini that begins to grate after a few listens.

The title track offers a menacing, shuddering bass behind the intense chugging, although the vocals are a bit too high in the mix. Even so, there’s a British grittiness to it all, although just a shame it’s a tad generic. ‘Head Of The Shovel’ is extremely belligerent and yet even at four minutes long it feels too long. However, Execution Order is still quite a force, veering towards an interesting fusion of Death Angel, Havok and Sadus but with less technical prowess.

The axe work on ‘Living By The Button’ literally scorches and it’s without a doubt a standout cut. The solos throughout are tight and melodic, even if the production is a little flat resulting in the steady build of ‘Uncoiled’ lacking in meat. I still rate the album though in spite of its obvious flaws and it’s vital the underground is supported, so get out there and take a walk down the Halls Of Horror.

Neil Arnold

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