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FORBIDDEN MESSIAH
Call Of The Void EP

Self-released (2024)
Rating: 7.5/10

With a crunch that early Metallica would have been proud of, Ontario, Canada-based thrashers Forbidden Messiah embarks upon their sophomore seven track EP, Call Of The Void.

The band features Brandon Cambridge (vocals and guitar), Lucas Jacques (bass) and Justin Mackwen (drums), and right from the off with ‘The Messenger’ this is an instantly likeable platter blessed with solid playing resulting in crisp guitar work and simple but infectious melodies. The vocals, although clear, boast a youthful rawness as Forbidden Messiah in rather sprightly manner conjures sounds from the early-to mid-80s burgeoning thrash scene.

‘Judgment Day’ begins with a serrated riff and strong bass, the band drifting towards a late 80s style of crunch with a streetwise Anthrax chug. The vocals are tougher this time round and in your face as hardcore rants, but the music remains so engaging in its simplicity. Admittedly, if this album had been released in the 80s it may have gotten swallowed up, and maybe the same scenario will play out here, but I really hope the thrashers who dig underground stuff manage to find these guys.

For just five minutes short of half an hour I was entertained by this gem, standout tracks being ‘Nightmare’ with its mid-tempo chugs and the lengthier title cut with its skittish axe work and robust vocal chops. At times there is a crossover vibe married with a simple Bay Area chunkiness, but the real joy for me is the way the guys craft so many catchy riffs and choruses; again I refer to the title track. Not the heaviest or most intricate record you’ll hear, but damn it’s a nugget.

Neil Arnold

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